Annu Palakunnathu Matthew, "Quanah Parker, Washington D.C., 1880s/Annu Palakunnathu Matthew, Providence R.I., 2000s," 2001–2003
ANNU PALAKUNNATHU MATTHEW
Quanah Parker, Washington D.C., 1880s/Annu Palakunnathu Matthew, Providence R.I., 2000s
From the series "An Indian from India"
2001–2003
Archival pigment print, unique
Image: 24 x 30 inches; Framed: 25 x 31 inches
Courtesy Annu Palakunnathu Matthew and sepiaEYE Original Photo Courtesy: University of Pennsylvania Museum of Archaeology and Anthropology
CURRENTLY ON VIEW: Stamp 1st Floor, West Study Lounge
In this series, Annu Palakunnathu Matthew explores ethnicity, immigration, and the colonial gaze. Each panel juxtaposes two images: a late-nineteenth-century photograph of Native Americans and a reenactment of that historical image with Matthew’s body taking the place of the original subject. The series was inspired by Matthew’s experience, as an immigrant living in the United States, of constantly being asked where she was “really from.” It explores the role of photography in fixing and perpetuating stereotypes. As the artist explains, “I’m talking about the imbalance of power between the subject and the photographer. That’s one reason that I turned the camera on myself. Since the portrait is of me, I am in control of how I am being represented. It was a way to hold hands with Native Americans and reverse that gaze.”
Stamp Gallery, 2016
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