https://contemporaryartumd.artinterp.org/omeka/files/original/8aa8322befcbabe62a7abc3be6b5dbef.jpg ab671b3df6b08d56988e54104c80b0e8 https://contemporaryartumd.artinterp.org/omeka/files/original/8257a3cfca32e335a813d5c4cef6404f.JPG 55e5dc1f85252b17db1eca4a0a5f9b7e https://contemporaryartumd.artinterp.org/omeka/files/original/4032c65c351c2ddb8a7b5b61b8c8db41.JPG d8170a261692cc2d4ba97d6cbd947ac7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ultrachrome ink on cotton paper. Edition 5 of 5. Physical Dimensions The actual physical size of the original image 2 segments, each 44 x 66 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Exposure #43: Barmsee, Bavaria, 08.18.06, 4:02 p.m.</em> Date A point or period of time associated with an event in the lifecycle of the resource 2006 Relation A related resource 2008-2009 Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 2009.1.9 Creator An entity primarily responsible for making the resource Barbara Probst Rights Information about rights held in and over the resource Courtesy of the artist and Murray Guy, New York Description An account of the resource Barbara Probst investigates perception through photographic processes of framing and dislocation. She uses two or more cameras, triggered by remote, to record a single scene from multiple angles at the exact same moment. The resulting works subject the viewer to a complex process of comparison, synthesis, and evaluation, in which no perspective remains neutral. Probst further complicates the experience by varying shots in color or in grayscale, in closely framed crops or panoramic views. By revealed the potential range of impressions of a single time and place, Probst highlights the ways in which a photograph is always subject to the viewpoint and intentions of the photographer and the assumptions and expectations of the viewer.