K. Yoland devises creative projects that shine a spotlight on individuals and groups who are disenfranchised by perpetuated systems of power. In Yoland’s “Invisible Angels” series, the artist explores a…
"NOVEMBER 5, 1893 - SAVANNAH, GEORGIA
Love Sermon: On November 5, 1893, a prominent Baptist preacher gave a sermon condemning lynching, rape, and mob violence against African Americans in the South. In his sermon,…
Sophia Narrett uses her chosen medium of embroidery to create sculptural works with broad, open narratives for her viewers to explore. Applying her background in painting, Narrett treats the embroidery thread like brushstrokes of paint, building…
Nate Lewis is a registered critical care nurse. He makes photographic portraits, prints them on heavyweight paper, and then uses self-invented tools resembling surgical instruments to make controlled…
Nate Lewis, a registered critical care nurse, prints his own photographic portraits on heavyweight paper and then uses self-invented tools resembling surgical instruments to make controlled tears in…
Dance, Dance, Dance is a video accompanied by a set of prints that represent stages in the work’s making. The work provides a crucial insight into the importance of self-love and self-care. Both the process and the cathartic result of this work…
Line Up 1 and Line Up 4 are two photographs from Martine Gutierrez’s “Line Up” series. The series comprises scenes meticulously staged and constructed by Gutierrez to deceive her audience. Gutierrez appears in these…
Line Up 1 and Line Up 4 are two photographs from Martine Gutierrez’s “Line Up” series. The series comprises scenes meticulously staged and constructed by Gutierrez to deceive her audience. Gutierrez appears in these…
Zoë Charlton builds dense sticker collages over figures to reveal the complicated facets of the historical positioning of people’s identity markers as they relate to power, privilege, and desire. The “Those Girls”…
Zoë Charlton builds dense sticker collages over figures to reveal the complicated facets of the historical positioning of people’s identity markers as they relate to power, privilege, and desire. The “Those Girls”…