https://contemporaryartumd.artinterp.org/omeka/files/original/db830a59a315f701fe4ce31b177e478e.jpg 9af9250d87a883f38fbd3ce5c2aed545 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data C-prints, shot with Fuji 5 x 4.5 on Kodak 120 Vivid Color Film Physical Dimensions The actual physical size of the original image 13in x 16in (framed) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Invisible Angels Description An account of the resource Part of the “Invisible Angels” series K. Yoland devises creative projects that shine a spotlight on individuals and groups who are disenfranchised by perpetuated systems of power. In Yoland’s “Invisible Angels” series, the artist explores a ‘built-to-fail’ public housing facility in London before its demolition to make way for luxury housing. To complete these artworks, which have previously materialized as performance, text, installation, video, and photography, Yoland often attempts to integrate herself into the various communities she sets out to represent. To create "Invisible Angels," the artist collaborated with young, Black residents of this London neighborhood and constructed garments for them to wear out of “domestic temporary materials,” as Yoland describes them: bin liners, tin foil, cling film, newspapers, and shopping bags. Through poses from fashion photography and enigmatic facial expressions, the subjects of “Invisible Angels” exhibit a certain air of ease, confidence, and dignity amidst an environment that may be emotionally and physically distressing. These individuals are not presented as victims of cut-throat social and economic competition, which perpetually punishes those in marginalized socioeconomic brackets. Instead, in a neighborhood permeated by gentrification, Yoland captures a soft expression of human agency. Text written by Grace DeWitt and Damon King Student Committee Selection 2016–2017 Creator An entity primarily responsible for making the resource K. Yoland Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 2017.1.14 Rights Information about rights held in and over the resource Image courtesy of the artist