https://contemporaryartumd.artinterp.org/omeka/files/original/3c825bf996b2376478f809c46f662eb7.jpg 34c52f3dc7b83e47b304e7f01efd2287 https://contemporaryartumd.artinterp.org/omeka/files/original/f05a16e57379f5fef48d79e79e7bdd19.JPG 979414379f14685038ac00bc808a259c https://contemporaryartumd.artinterp.org/omeka/files/original/a31497c8e564ba0fe53ae8ce2009c18c.JPG 294c3379539e12c98b226f62e8a25e10 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Latex, ink, enamel, and oil on canvas Physical Dimensions The actual physical size of the original image 60 x 40 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Throw</em> Date A point or period of time associated with an event in the lifecycle of the resource 2006 Relation A related resource 2006-2007 Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 2007.1.5 Creator An entity primarily responsible for making the resource Maggie Michael Description An account of the resource <em>Throw</em> belongs to a group of paintings by Maggie Michael that explore the tension between destruction and repair, control and release. Using an array of action painting techniques (spray-painting, dripping, precision brushwork), Michael imbues her large-scale paintings with movement and emotion. Their textured forms vacillate, suggesting biomorphic shapes such as veins and ventricles tangled in devices of communication such as illustration graphics and graffiti tags. Michael’s works are energetic and unpredictable and invite viewers to interpret them through their own experiences. According to the artist, “Whatever I think of, no matter what it could be, will be made to work together. Anything can be resolved. It is just a matter of how you approach it.”