Quanah Parker, Washington D.C., 1880s/Annu Palakunnathu Matthew, Providence R.I., 2000s

Description

From the series "An Indian from India"

In this series, Annu Palakunnathu Matthew explores ethnicity, immigration, and the colonial gaze. Each panel juxtaposes two images: a late-nineteenth photograph of Native Americans and a reenactment of that historical image with Matthew’s body taking the place of the original subject. The series was inspired by Matthew’s experience, as an immigrant living in the United States, of constantly being asked where she was “really from.” It explores the role of photography in fixing and perpetuating stereotypes. As the artist explains, “I’m talking about the imbalance of power between the subject and the photographer. That’s one reason that I turned the camera on myself. Since the portrait is of me, I am in control of how I am being represented. It was a way to hold hands with Native Americans and reverse that gaze.”

Creator

Annu Palakunnathu Matthew

Date

2001-2003

Rights

Courtesy Annu Palakunnathu Matthew and sepiaEYE. Original Photo Courtesy: The Library of Congress, Washington, DC.

Original Format

Archival pigment print. Unique.

Physical Dimensions

Image: 24 x 30 inches; Framed: 25 x 31 inches

Files

UMD_CAPP_Matthew_Quanah Parker.jpg

Citation

Annu Palakunnathu Matthew, “Quanah Parker, Washington D.C., 1880s/Annu Palakunnathu Matthew, Providence R.I., 2000s,” Contemporary Art Purchasing Program - Stamp Gallery, accessed November 24, 2024, https://contemporaryartumd.artinterp.org/omeka/items/show/55.

Output Formats