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      <src>https://contemporaryartumd.artinterp.org/omeka/files/original/ac16ccf699feff07deb07ec2ade4e72f.jpg</src>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <element elementId="7">
        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <elementText elementTextId="669">
            <text>Acrylic and color pencil on Mylar</text>
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      <element elementId="10">
        <name>Physical Dimensions</name>
        <description>The actual physical size of the original image</description>
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          <elementText elementTextId="670">
            <text>42 x 30 inches</text>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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            <elementText elementTextId="662">
              <text>&lt;em&gt;If She Only Belonged&lt;/em&gt;</text>
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          </elementTextContainer>
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        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="664">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
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          <name>Relation</name>
          <description>A related resource</description>
          <elementTextContainer>
            <elementText elementTextId="665">
              <text>2012-2013</text>
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          </elementTextContainer>
        </element>
        <element elementId="42">
          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="666">
              <text>JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="667">
              <text>Still Image</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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            <elementText elementTextId="668">
              <text>2013.1.4</text>
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        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Hedieh Javanshir Ilchi</text>
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          </elementTextContainer>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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            <elementText elementTextId="921">
              <text>Courtesy of the artist</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>From the "Traveler Series" &lt;br /&gt;&lt;br /&gt;Hedieh Javanshir Ilchi’s artwork focuses on issues of identity, exploring the “dualities of self” that the artist has encountered in her own experiences as an Iranian-American immigrant. In the “Traveler Series,” Ilchi chronicles the exploits of a heroic female figure in a non-linear narrative. Paint on Mylar translates into scenes of vivid color, such as this one, and fine lines in colored pencil produce intricate patterns, referencing the ornamentations of “Tazhib” or the Persian art of illumination. Ilchi balances precision and chance, figuration and abstraction, to represent external realities of war and exile. At the same time, her painting also explores the more interior terrains of a conflicted psyche.</text>
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